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8th Somé Seiryuten

  • 8th Somé Seiryuten
  •  
  • Kyoto exhibition
  • March 31 - April 5, 1998
  • Kyoto Municipal Museum(Okazaki Park)
  • organizer/Seiryukai
  • sponsor/NHK Broadcasting Corporation Mainichi Shimbun
  • cosponsor/DAIMATSU Co.,Ltd.
  • Tokyo exhibition
  • May 2 - June 7, 1998
  • The Meguro Museum
  • organizer/The Meguro Museum ・Seiryukai
  • sponsor/Mainichi Shimbun
  • cosponsor/DAIMATSU Co.,Ltd.
  •  
  • reference/8th Seiryuten catalogue 1998publication
  • (editing)Seiryukai secretariat


Exhibiting artists
Ueno Machiko/ Asada Shuji/Isa Toshihiko/Isa YoshioIshida Morito/Ichimura Tomio/Okubo NaomaruKasugai MichikoKanesaki KeikoKawata Koro/Kitagawa Nanae/Kitano Tsukio/Kimura Nahoko/Kusama Tetsuo/Kurihara Chie/ Kuroda ToruShibuya Kazuko/Shindo Hiroyuki/Takaya MitsuoTajima Yukihiko/Teraishi Shosaku/Naito Hideharu/Nakai Teiji/Nagao Norihisa/Nagira Tsuyoshi/Nishijima Takeshi/
Fukumoto ShigekiFukumoto ShihokoFujimoto Tetsuo/Honda Masashi/Miura KageoMitsuhashi Jun/Minagawa Taizo/ Murota Izumi/Yahata Harumi/Yamaguchi Michie/Yamanaka Kiyoe/Yamamoto Tadayoshi/Yoshida Teruyoshi

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Some・Seiryuten

Dye Works Exhibition

Some・Seiryukan Director Kimura Shigenobu

It may not be so well known, however in the West there wasn’t history of pattern-dyeing such as resist-dyeing techniques until the modern age. For the most part, textiles were embellished through weaving or embroidery. In Europe, the history of pattern dyeing began when dyeing techniques were imported from India and Indonesia. For example, in 1835 Indonesian dyers were invited to Leiden, Holland where a batik textile company was established. The history of Japan’s textile dyeing is also deep, with three kinds of resist-dye techniques (sankyo) dating back to the Nara Period: kokechi (tie-dyeing), rokechi (wax resist dyeing) and kyokechi (clamp resist dyeing). In Japan, we use the term senshoku (dyeing and weaving together) and in Indonesia, the terms batik (dyeing) and ikat (weaving) are separate. However, this way of categorizing isn’t found in the West. At the center of textile dyeing is Kyoto, proud of its history of over 1000 years and now leading the world in contemporary dyed art. The Somé Seiryuten exhibition will introduce to you the dyed art of Kyoto’s currently active artists working in a variety of styles, techniques, materials etc.

 

Index of exhibited works

Mudai
Ueno Machiko
pulp、sisal hemp、abaca、
bamboo、porcelain clay、wood、linen /
original technique
each140(H)X45(W)X200(D)cm
view works

WORK T-1
Asada Shuji
cotton、pigment/stencil
190(H)X282(W)cm
view works

Hou
Isa Toshihiko
Japanese paper/stencil dyed
240(H)X240(W)cm
view works
Yukinoasa
Isa Yoshio
kumohada hemp washi paper 、pigment、sumi ink、vegetable dye/
stencil dyed、stencil
each175(H)X180(W)cm(pair of two-faced folding screens)
view works

Sorekara
Ishida Morito
cotton、fiber reactive dye/resist dyeing、stencil
165(H)X400(W)cm
view works

Hokosurujikunohoi
Ichimura Tomio
cotton、acid dyes、pigment/
silkscreen dyeing
180(H)X540(W)cm
view works
Sokohaitsukanohi
Okubo Naomaru
cotton、Procion dye
(soda ash fixer)/wax-resist dyeing
184(H)X310(W)cm
view works

Jikunoirodori(Choko)
Kasugai Michiko
Indian cotton、Procion dye、
gold leaf/stencil dyed
162(H)X236(W)cm
view works

GOOD‐BY Mother AND PRINCESS
Kanesaki Keiko
cotton、fiber reactive dye/
stencil paste-resist dyeing、
stencil dyeing
180(H)X360(W)cm
view works
Haruwomatsu
Kitagawa Nanae
cotton、vegetable dye、acid dyes、CMC、
/wax-resist dyeing、direct dyeing technique
158(H)X428(W)cm
view works

Gengakuyonjuso(part)
Kitano Tsukio
senshi paper、pigment/rokechi
168(H)X340(W)cm
view works

Bokunorappahachoiichosi
Kimura Nahoko
cotton hemp blend、pigment/stencil
170(H)X320(W)cm
view works
WINDSCAPE9
Kusama Tetsuo
silk/fiber reactive dye
110(H)X250(W)cm
view works

fall(唐津曵山)
Kuroda Toru
cotton、Remazol dye/stencil dyeing
150(H)X140(W)cm
view works

spring(Rakusaiheiyanoyozakura)
Kuroda Toru
cotton、Remazol dye/stencil dyeing
150(H)X140(W)cm
view works
WHITE SQUARE
Shibuya Kazuko
cotton、polyester/paste-resist dyeingstencil dyeing、
digital print reprocessing、collage
225(H)X450(W)cm
view works

麻白地藍染亀甲模様飾布(Ⅰ)
Shindo Hiroyuki
hemp/original technique of indigo dyeing
250(H)X90(W)cm
view works

麻白地藍染亀甲模様飾布(Ⅱ)
Shindo Hiroyuki
hemp/original technique of indigo dyeing
250(H)X90(W)cm
view works
麻白地藍染亀甲模様飾布(Ⅲ)
Shindo Hiroyuki
hemp/original technique of
indigo dyeing
250(H)X90(W)cm
view works

chinoshio
Takaya Mitsuo
shinshu pongee、acid dyes、sandoguro/
wax-resist dyeing、etching
170(H)X170(W)cm
view works

Hokakusaretashinwa
Takaya Mitsuo
shinshu pongee、acid dyes、sandoguro/
wax-resist dyeing、etching、stencil
170(H)X170(W)cm
view works
樹窟
Tajima Yukihiko
cotton、pigment、fiber reactive dye/stencil dyeing
240(H)X210(W)cm
view works

加悦谷の朝
Teraishi Shosaku
cotton、sumi ink、colcothar、
silver mud/wax-resist dyeing
163(H)X280(W)cm
view works

Takebayashinoshitade
Naito Hideharu
cotton/indigo stencil dyeing、
indigo dyeing
1720(H)X244(W)cm
view works
樹性
Nakai Teiji
linen/wax-resist with natural
indigo immersion dyeing、
combination of vegetable dyes
in colors such as yellow, rouge, etc.
172(H)X172(W)cm
view works

Okinawanosaishikukan
Nagao Norihisa
Japanese paper/stencil dyeing、
paste-resist dyeing、
stencil、drawings
180(H)X360(W)cm
view works

Hutatsunozaten(Shin)
Nagira Tsuyoshi
silk・hemp blend、fiber reactive dye、
pigment /wax-resist dyeing、stencil
154(H)X184(W)cm
view works
ZozanundoⅡ
Nagira Tsuyoshi
silk・hemp blend、fiber reactive dye、
pigment /wax-resist dyeing、stencil
160(H)X200(W)cm
view works

日月無二(六曲一双のうち左半双)
Nishijima Takeshi
Hakusan tsumugi silk、Anthrozoldye
/paste-resist dyeing、two-step dyeing、 Indanthrene vat dye
175(H)X376(W)cm
view works

Aonokeshiki
Fukumoto Shigeki
Turfan cotton、Remazol dye/
wax-resist dyeing(himo-uchi
dyeing technique、
screenprinting technique・
maki-ro dyeing technique、
pressed print technique)
113(H)X113(W)cm
view works
Shunokeshiki
Fukumoto Shigeki
Turfan cotton、Remazol dye/
wax-resist dyeing(himo-uchi
dyeing technique、
screenprinting technique・
maki-ro dyeing technique、
pressed print technique)
113(H)X113(W)cm
view works

Murasakinokeshiki
Fukumoto Shigeki
Turfan cotton、Remazol dye/
wax-resist dyeing(himo-uchi
dyeing technique、
screenprinting technique・
maki-ro dyeing technique、
pressed print technique)
113(H)X113(W)cm
view works

Midorinokeshiki
Fukumoto Shigeki
Turfan cotton、Remazol dye/
wax-resist dyeing(himo-uchi
dyeing technique、
screenprinting technique・
maki-ro dyeing technique、
pressed print technique)
113(H)X113(W)cm
view works
Seiza 98-S
Fukumoto Shihoko
Turfan cotton、Japanese paper/
indigo dyeing、shibori
160(H)X380(W)cm
view works

WORK '98-Ⅰ
Fujimoto Tetsuo
linen、polyester string、
Unwoven cloth/
vegetable dye
(logwood‐iron rust dyeing)
170(H)X385(W)cmX15(D)cm
view works

VM-Resist S
Honda Masashi
polyester cloth、cotton/
screen printing、ink print system
220(H)X400(W)cm
view works
fabric inlay・Reihyo
Miura Kageo
Hakusan tsumugi silk(silk)/
fabric inlay、stencil、
collage、drawings
160(H)X140(W)cm
(pair of two-faced folding screens)
view works

fabric inlay・Reihyo
Miura Kageo
Hakusan tsumugi silk(silk)/
fabric inlay、stencil、
collage、drawings
160(H)X140(W)cm
(pair of two-faced folding screens)
view works

Tsukikaranohune
Mitsuhashi Jun
wood、stainless wire、
silk organdy、center line、
string、stone、bamboo/
shading with acid dyes
430(H)X200(W)cmX180(D)cm
view works

COPTIC MUSEUM
Minagawa Taizo
hemp、sumi ink、Procion dye、
pigment、純gold leaf、blue-tint gold leaf、platinum leaf、silver foil、
iridescent foil/wax-resist dyeing
163(H)X152(W)cm
view works

VIEW No1
Murota Izumi
cotton、fiber reactive dye、
Acrylic fiber string pigment/
silkscreen dyeing
180(H)X250(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、
string、Japanese paper/
After silkscreen dyeing,
print with pigment, collage
with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Shimatokoshitokatachi
Yahata Harumi
cotton drill、fiber reactive dye、
pigment、embroidery tape、string、
Japanese paper/After silkscreen
dyeing, print with pigment,
collage with Japanese paper,
and add machine stitching etc.
220(H)X700(W)cm
view works

Galaxy 9802 Junsui
Yamaguchi Michie
French Supima twill(cotton)/
(fiber reactive dye)stencil dyeing、
Cyanotype process
230(H)X468(W)cm
view works

Tokinosanbutsu
Yamanaka Kiyoe
cotton、fiber reactive dye/
wax-resist dyeing、stencil dyeing
240(H)X455(W)cm
view works

Somekabekake「Jukei」98
Yamamoto Tadayoshi
gossamer silk/rozome silkscreen
together with rozome
hand-dyeing technique
200(H)X222(W)cm
view works

   
Kansyokunojigen-Nijimi・ShimiA
Kansyokunojigen-Nijimi・ShimiB
Yoshida Teruyoshi
Japanese paper、bamboo、cotton cord/brush dyeing、Needlework
102(H)X115(W)cmX3cm
view works

 

 

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